The liar, at any rate, recognizes that recreation, not instruction, is the aim of conversation, and is a far more civilized being than the blockhead who loudly expresses his disbelief in a story which is told simply for the amusement of the company.
Go little book,
To him who, on a lute with horns of pearl,
Sang of the white feet of the Golden Girl:
And bid him look
Into thy pages: it may hap that he
May find that golden maidens dance through thee.
MILTON! I think thy spirit hath passed away
From these white cliffs, and high-embattled towers;
This gorgeous fiery-coloured world of ours
Seems fallen into ashes dull and grey,
And the age changed unto a mimic play
Wherein we waste our else too-crowded hours:
For all our pomp and pageantry and powers
We are but fit to delve the common clay,
Seeing this little isle on which we stand,
This England, this sea-lion of the sea,
By ignorant demagogues is held in fee,
Who love her not: Dear God! is this the land
Which bare a triple empire in her hand
When Cromwell spake the word Democracy!
The sin was mine; I did not understand.
So now is music prisoned in her cave,
Save where some ebbing desultory wave
Frets with its restless whirls this meagre strand.
And in the withered hollow of this land
Hath Summer dug herself so deep a grave,
That hardly can the leaden willow crave
One silver blossom from keen Winter’s hand.
But who is this who cometh by the shore?
(Nay, love, look up and wonder!) Who is this
Who cometh in dyed garments from the South?
It is thy new-found Lord, and he shall kiss
The yet unravished roses of thy mouth,
And I shall weep and worship, as before.
THE Gods are dead: no longer do we bring
To grey-eyed Pallas crowns of olive-leaves!
Demeter’s child no more hath tithe of sheaves,
And in the noon the careless shepherds sing,
For Pan is dead, and all the wantoning
By secret glade and devious haunt is o’er:
Young Hylas seeks the water-springs no more;
Great Pan is dead, and Mary’s Son is King.
And yet–perchance in this sea-trancèd isle,
Chewing the bitter fruit of memory,
Some God lies hidden in the asphodel.
Ah Love! if such there be then it were well
For us to fly his anger: nay, but see
The leaves are stirring: let us watch a-while.
Out of the mid-wood’s twilight
Into the meadow’s dawn,
Ivory limbed and brown-eyed,
Flashes my Faun!
He skips through the copses singing,
And his shadow dances along,
And I know not which I should follow,
Shadow or song!
O Hunter, snare me his shadow!
O Nightingale, catch me his strain!
Else moonstruck with music and madness
I track him in vain!
WITHIN this restless, hurried, modern world
We took our hearts’ full pleasure–You and I,
And now the white sails of our ship are furled,
And spent the lading of our argosy.
Wherefore my cheeks before their time are wan,
For very weeping is my gladness fled,
Sorrow hath paled my lip’s vermilion,
And Ruin draws the curtains of my bed.
But all this crowded life has been to thee
No more than lyre, or lute, or subtle spell
Of viols, or the music of the sea
That sleeps, a mimic echo, in the shell.
Thou knowest all; I seek in vain
What lands to till or sow with seed –
The land is black with briar and weed,
Nor cares for falling tears or rain.
Thou knowest all; I sit and wait
With blinded eyes and hands that fail,
Till the last lifting of the veil
And the first opening of the gate.
Thou knowest all; I cannot see.
I trust I shall not live in vain,
I know that we shall meet again
In some divine eternity.